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Historic Scotland unveils dramatic new interpretation at Edinburgh Castle

23 July 2012

Mons Meg arrives at Edinburgh Castle


The stories that make the history of Scotland’s number one paid for visitor attraction so fascinating have been re-written following consultation with archaeologists, historians and other experts to create new interpretation at Edinburgh Castle.

Colourful and dramatic illustrations reconstructing some of the tempestuous events that helped shape the nation’s history have been installed at the site, following months of meticulous research by Historic Scotland.

More than 30 specialists within and outside the agency contributed their expertise to the project. Huge amounts of written material and images were also studied, to produce an unparalleled resource that will bring the story of the Castle to life for the hundreds of thousands of people who visit the Castle.

Director of Commercial and Tourism at Historic Scotland, Stephen Duncan explained: “The new interpretation offer a surprising amount of detail. In some cases, the content might alter preconceptions, often contradicting popular myths.

“Each reconstruction focuses on a key episode in the history of the Castle. We have made them as accurate as possible, but in cases where expert opinion was divided or the evidence ambiguous, they inevitably involve elements of informed speculation. Where possible, the faces in the illustrations are based on historic images.”

As well as the broad range of scholarship within Historic Scotland, staff from the National Museums of Scotland, Glasgow Museums, the universities of Edinburgh, Dundee, Glasgow and St Andrews, and the Royal Artillery Museum were among those who helped create the new interpretation.

The newly interpreted stories include:

•The arrival of the Romans, showing how the hill fort that predated the Castle would have been an important centre for diplomacy.
•A 12th century precursor to today’s parliament, with an assembly of nobles and clergy at the Castle, called by King David I.
•The firing of Castle’s guns on Edinburgh by its Redcoat garrison, when the Old Town was occupied by the Jacobites in 1745.
•The recapture of the Castle by the army of Robert the Bruce, in a night attack in 1314.
•The arrival of giant cannon Mons Meg in 1457, when its now-famous barrel was painted lead red.

Seven new panorama illustrations showing views of Edinburgh have also been installed at the Castle. These pick out key features in the spectacular landscape and skyline. Two show the New Town under construction in the late 18th century when many familiar landmarks were being built – and many others had yet to be conceived.

Stephen said: “Interpretation lies at the heart of Historic Scotland’s mission to present our built heritage effectively and imaginatively to visitors. The stories unique to each site bring those special places to life, and the unprecedented research that has gone into these new panels gives an added dimension to one of the nation’s most important and cherished attractions.”

Photo caption
Mons Meg arrives at Edinburgh Castle in 1457, in its original red colour. The weapon was a gift from the Duke of Burgundy and was kept safe in the Castle.

Notes for editors:

  • Historic Scotland is an executive agency of the Scottish Government charged with ensuring that our historic environment provides a strong foundation for a successful future for Scotland. The agency is fully accountable to Scottish Ministers and through them to the Scottish Parliament.

  • To register for media release email alerts from www.historic-scotland.gov.uk/news. If you wish to unsubscribe at any time, please email hs.website@scotland.gsi.gov.uk

  • The Year of Creative Scotland began on January 1, 2012 and will spotlight and celebrate Scotland’s cultural and creative strengths on a world stage. Through a dynamic and exciting year-long programme of activity celebrating our world-class events, festivals, culture and heritage, the year puts Scotland’s culture and creativity in the international spotlight with a focus on cultural tourism and developing the events industry and creative sector in Scotland. More information about the programme can be found at: www.visitscotland.com/creative

  • The Year of Creative Scotland is a Scottish Government initiative led in partnership by EventScotland, VisitScotland, Creative Scotland and VOCAL. More information and resources to help businesses engage with Year of Creative Scotland are available at  www.visitscotland.org/yearofcreativescotland-toolkit

                                                       Year of Creative Scotland 2012


For further information


David Gray
Communications and Media Officer
Communications and Media
0131 668 8588 or 07854 366 805
david.gray@scotland.gsi.gov.uk